dasht-e-tanhaai mein, ai jaan-e-jahaan, larzaan hain
In the desert of my solitude, oh love of my life, quiver
teri avaaz ke saaye,
the shadows of your voice,
tere honthon ke saraab
the mirage of your lips
dasht-e-tanhaai mein,
In the desert of my solitude,
duri ke khas-o-khaak tale
beneath the dust and ashes of distance
khil rahe hain tere pehlu ke saman aur gulaab
bloom the jasmines and roses of your proximity
uht rahi hai kahin qurbat se
From somewhere very close,
teri saans ki aanch
rises the warmth of your breath
apani khushbuu mein sulagti hui
smouldering in its own aroma,
maddham maddham
slowly, bit by bit.
dur ufaq par chamakati hui
far away, across the horizon, glistens
qatra qatra
drop by drop
gir rahi hai teri dil daar nazar ki shabnam
the falling dew of your beguiling glance
is qadar pyaar se hai jaan-e jahaan rakkhaa hai
With such tenderness, O love of my life,
dil ke rukhsaar pe
on the cheek of my heart,
is vaqt teri yaad ne haath
has your memory placed its hand right now
yun guman hota hai
that it looks as if
garche hai abhi subah-e-firaaq
(though it's still the dawn of adieu)
dhal gaya hijr ka din
the sun of separation has set
aa bhi gaye vasl ki raat
and the night of union has arrived.
Iqbal Bano, was one of the most renowned and most acknowledged and personally my favorite semi classical singer of Pakistan. We lost another asset of Pakistani music, her contribution to the industry of music will always be cherished and remembered deep down in the core of our hearts. No matter how modern and technologically we grow we can never get back such artist of this stature. God has quit making such people as the world today probably does not deserve to have such gems, I wonder if my kids will ever be able to relate to this level of music in their lives. I guess not.
There are still a few of them left with us, like Madan Farida Khanum, Mehdi Hassan (Who is seriously very ill and needs a lot of our prayers) and a few more...
Videos:
http://www.youtube.com/watch?v=3r7pIisj5oI
http://www.youtube.com/watch?v=AvTxMSx8G-M&NR=1
http://www.youtube.com/watch?v=w5N9s8lI3a0&feature=related
What Wikipedia has to say about her:
Bano was brought up and raised in Rohtak,India. She was musically talented, with a sweet and appealing voice. From a young age, Bano developed a love for music. It was a crucial moment of her life when her friend's father came forward as a votary. He told her father, "My daughters do sing reasonably well, but Iqbal is blessed in singing. She will become a big name if you begin her training." Because of Bano's love of music and persuasion from others, her father allowed her to study music.
In Delhi, she studied under Ustad Chaand Khan of the Delhi Gharana, an expert in all kinds of pure classical and light classical forms of vocal music. He instructed her in pure classical music and light classical music within the framework of classical forms of thumri and dadra. She was duly initiated Gaandaabandh shagird of her Ustad. He forwarded her to All India Radio, Delhi, where she sang on the radio.
In 1952, a zamindaar from Pakistan married seventeen-year-old Iqbal Bano with a promise that he would never stop her music, but try to promote her. Her fulfilled his promise until his death in 1980. After her husband passed away, Bano moved to Garden Town, Lahore. It was observed that her temperament was particularly suited to vocal genres like thumri, dadra and ghazal.
Career
Iqbal Bano was invited by Radio Pakistan for performances, she being an accomplished artist. Her debut public concert was in 1957, at Lahore Arts Council, before an elite crowd. Music lovers feted her beyond imagination. With each recital, she generated more and more public appeal. She was considered a specialist in singing the works of Faiz Ahmed Faiz. She has given such musical relevance to the ghazals of Faiz, that Bano and Faiz are apparently inseparable in popular imagination. Because of Faiz's imprisonment and hatred of the Pakistani Government towards him, Bano roused a strong crowd of 50,000 people in Lahore by singing his passionate Urdu nazm, "Hum Dekhenge."
Iqbal Bano can sing Persian ghazals with the same fluency as Urdu. She is always applauded in Iran and Afghanistan for her Persian ghazals. The Iranians and Afghans thronged to her shows in large numbers to hear her ghazals in their mother tongue. Once she said in an interview, that she had a collection of 72 beautiful Persian ghazals. Before 1979, there was a festival of culture called Jashn-e-Kabul every year in Afghanistan. Iqbal Bano regularly received a warm invitation to this annual event. She was known for singing a new Persian ghazal each time she appeared. The King of Afghanistan liked her recital very much. Once, on such an occasion, the king was so pleased with her ghazals that he presented her with a golden vase in appreciation of her music.
Music lovers have noted some similarities between Bano and Begum Akhtar, especially some marked resemblances in their styles of singing. Iqbal Bano does not consider the contemporary ghazals as ghazals at all. Her recitals stick to the old classical style that lays more stress on the raag purity. Basically a ghazal singer, Iqbal Bano has also sung many memorable Pakistani film songs. She has provided soundtrack songs for famous Urdu films like Gumnaam (1954), Qatil (1955), Inteqaam (1955), Sarfarosh (1956), Ishq-e-Laila (1957), and Nagin (1959). She won the Tamgha-e-Imtiaz (Pride of Performance) medal in 1974 for her contributions to the world of Pakistani music.
Iqbal Bano passed away in Lahore after short illness on 21 April 2009.
No comments:
Post a Comment